Charles-Arthur Feuvrier (°1997, France) lives and works in Marseille. A French-Mauritian artist, he uses media, proto-technological devices, and sculpture to distort and reimagine the myths surrounding both his native Mascarene Islands and our online worlds. Blending humour, satire, and material fragility, Charles-Arthur creates epic, hallucinogenic narratives.

Malaury Eloi Paisley was born in Guadeloupe and studied art history and museology at the Sorbonne Nouvelle Paris III, and fine arts at UQAM in Montreal. She returned to Guadeloupe in 2016 to take a course in documentary filmmaking at the Ateliers Varan. Through cinema, textile, and archival research, she investigates how ancestral knowledge and contemporary art can intersect.

Haonan He (°1994, Yunnan, China) explores the intersections between colonial history, psychoactive substances, and immersive technologies. By connecting psychotropic hallucinations, spirituality, cybernetics, and speculative AI algorithms, He examines how sensory perception, altered states of consciousness, and predictive systems intersect.

Keywa Henri (°1993, Kaulu/Kourou, French Guiana) is a French and Brazilian artist. They are the first Kalin’a T+lewuyu graduated with a MFA from the Ecole Nationale Supérieure des Beaux-Arts de Lyon. Reflecting on the life experiences and history of the Indigenous Peoples of Abya Yala (“the Americas”), they aim to emphasize an Indigenous protagonism in our contemporary and global society.

Ji-Min Park was born in Seoul, South Korea, and works with latex, resin, metal, fabric, Hanji paper, multicolored beads, and pictures to create sculptures, installations, paintings, and poetic writings. She explores the fluidity and complexity of intersecting identities and cultural multiplicities by highlighting the tensions between the natural and artificial, fragility and stability, abstraction and figuration.

Anthony Ngoya’s practice explores displacement, nostalgia, and resilience by layering materials and media, such as photo transfers, family archives, textiles, and found objects, drawing from personal and collective histories. Currently exploring performance as a medium to embody these themes, he creates immersive, ephemeral encounters that echo the fluidity of identity and migration.

Myriam Omar Awadi (°1983, France) is a Franco-Comorian artist, currently living and working in Réunion. Through writing, drawing, images, and performance, her work acts as laboratories for research and creation in which language, but also silences, bodies, and absences become plastic materials and subjects for potential narratives, unraveling the thread of what resists in gesture, object, or representation.

Lyz Parayzo (°1994, Rio de Janeiro, Brazil) reinterprets Brazil’s modernist artistic tradition through the lenses of gender, identity, and politics. Centered on “magical objects” crafted from metal—a material symbolizing industrial exploitation—her sculptures, performances, and installations explore themes such as power, violence, and desire, while proposing new rituals of healing.

Sofía Salazar Rosales (°1999, Quito, Ecuador) focuses on the potential that objects have to reveal social, economic, and political contexts, especially related to the displacements of humans and objects. Her sculptures and installations act as spaces of reconciliation between different contexts triggered by different displacements.

Wendie Zahibo’s artistic practice is rooted in the research and creation of masonn, a long-term project exploring vernacular architecture, Black Atlantic culture, and mystical realism. Through this work, she examines how ancestral building techniques and spatial practices inform contemporary diasporic identities, fostering connections between architecture, memory, and collective healing.